by Areej Le Doré
Ottoman Empire III by Areej Le Doré presents a refined, opulent rose-oud composition that leans heavily into its heritage while offering a more balanced and accessible version compared to its predecessors. The opening carries a dew-like, wet rose intensity with cardamom and pepper giving it a slow-burning, aromatic lift. Notes of frangipani, saffron, and nutmeg weave through the core, creating a layered, earthy gourmand aura reminiscent of spiced rose water and dark chocolate. The oud is present but subdued—smooth, medicinal, and slightly animalic—lending depth without dominating. Amber, myrrh, and sandalwood form a warm, resinous base that lingers with a comforting, regal presence. The fragrance unfolds gradually, revealing its complexity over several hours, and while sillage is moderate to strong, the overall projection is not as radiant as previous editions. Longevity remains strong, lasting well into the evening, though some users note it appears closer to the skin than expected. This scent appeals most to those drawn to sophisticated, oriental florals with a restrained yet rich character. It feels more like a wearable masterpiece than a theatrical statement, perfect for evening wear or occasions where a dignified, intimate aura is desired. The evolution from earlier versions suggests a more polished, less dense approach, which some interpret as a step down, though many find the balance of rose, spices, and oud rewarding. The fragrance projects a vintage elegance reminiscent of courtly perfumes, subtly evoking imagery of palaces and silk. It’s not the most radiant or explosive of L&D’s offerings, but it offers a restrained, deeply comforting experience. Its greatest strength lies in its balance—never overwhelming, always present, and deeply personal. It carries the hallmarks of Russian Adam’s signature style: rawness beneath sophistication, a textured base, and a cohesive journey. However, this same restrained nature may underwhelm those seeking a bolder or more sensational oud-rose fusion.